The film explores the space within a 1:50 model reconstruction of Bruce Nauman’s “Double Doors – Projection and Displacement” (1973) as re-installed in 1990 for the “Un Choix D’art Minimal Dans La Collection Panza” exhibition at the Musée d’Art Moderne de la Ville de Paris. Continue reading “Displaced (2019)”
This year I ran a new Postgraduate “Designate” in cyanotype printing for masters students in the Department of Architecture & Landscape at Kingston School of Art.
Three day time-lapse showing the gallery residency, exhibition set up, and symposium.
Making Representations was a three-day project which ran from 27 February – 1st March 2019, in the Phoenix Studios North Gallery, Brighton. The project culminated in a half-day symposium followed by a public exhibition opening, and included five artist-researchers – Bill Leslie, Eleanor Suess, Charlotte Warne Thomas, Katie McCallum, Felicity Hammond and Dean Kenning, whose work all touches on questions of representation – architectural, filmic, mathematical, linguistic and photographic. The symposium consisted of performances, workshop activities, and concluded with a discussion of wider issues of representation. Continue reading “Phoenix Gallery Timeframes at Making Representations”
While I was in Australia this Christmas I worked out of one of the studios in my old architecture/art school at the University of Western Australia (UWA). I was keen to build upon the recent site-specific work I have been developing in my own studio in Croydon, specifically around the making of a model which “reconstructs” the space of the studio, and which, along with my actions as model-maker and film-maker, is then filmed within that space.
As part of the ASC’s Croydon Studio’s inaugural exhibition, 40° Celsius, I exhibited an installation of clips of footage that I had taken from the windows in my new studio, F23, in the ASC Grafton Quarter.
I have taken a studio in the new ASC Grafton Quarter complex in Croydon, a 10 minute cycle from my home.
